So I have just signed up for a free online course - just one the first unit - excellent stuff. So I am examining Exploring play - which I think is vital for Drama.
Why is that so funny? I found to be a very good resource. It has a good mix of theoretical ideas with discussions on the various types of laughter. There are series of exercises through out the book that can be used to investigate physical comedy. John Wright talks about the distinction in theatrical circles between drama and comedy and how comedy is often not valued as much. It is true through my teacher training - it was more from a Stanislavski point of view. This is a refreshing look at comedy. Also the "games" exercises that John explains are games that can be used in dramatic scenes but allows for a new way of looking at events. John trained with Lecoq and this has influenced his way of working. He gives a strong outline for his version of the States of Tension and I enjoyed the sections looking at Clowning - Parody, Satire, Pastiche, Caricature, Burlesque and Buffoon. I have already used these exercises with my classes to some success. What really surprised me was how well come of the complicity games worked with my Grade 5 and 6s. It is a good book for any IB student who needs some ideas or theoretical underpinning.
Just finished reading -Devising Theatre - a practical and theoretical guide by Alison Oddey. It was an interesting read. She comes from the British system and what I most enjoyed was the insight into the way different groups devise. Good book for students researching devising and might be useful for the IBDP theatre course in the Collaborative theatre project when students need to look at different ways of devising. Also a nice section on practical ideas and suggestions. It is funny when you read these and people mention the theory behind the exercises and as a drama teacher I already had so much in my repertoire already.
I have just finished reading Boal, Bausch, Lecoq and Meyerhold editions in the Routledge Performance Practitioners series. Four different books. I think they are brilliant resources for the teacher and also any IBDP theatre student looking to be introduced to their ideas as well as simple exercises. They give a good overview to the context of for each practitioner and simple exercises that you could apply to your classroom. FIVE star from me.
How do we create a comprehensive assessment plan that is designed to improve student
1. Establish a common definition of assessment
2. Reaffirm the notion that effective assessment begins with a clear idea of WHAT we
intend students to learn
3. Refresh our understanding of the tools used to collect evidence of learning
4. Practice with the evaluation tools that will provide the most accurate evidence of
5. Examine recording practices that enhance data analysis
Drama/Theatre/Dance teacher for 26 years; Currently teaching at International School Manila.
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